Matt here!
As I went to the local theater with my wife and two young
daughters to go see Disney’s Tomorrowland
(loosely based on its theme park), we awaited the start of the film with the
usual trailers for upcoming film releases. One of them was a disaster film called
San Andreas, starring Dwayne “The Rock” Johnson, about the
destruction of California
due to a major earthquake along the San Andreas faultline. As we watched that trailer, set to a haunting, slow Sia cover of The Mamas & The Papas' "California Dreamin'," I could see the awe and dread in my daughters’ eyes and, for the first time,
thought the trailer alone was pretty intense and gratuitous. Even the end of the trailer has a public service announcement/advertisement stating: "You never know when disaster may strike. Be prepared. Visit _____." This summer’s film
release schedule appears mostly full of death, destruction and havoc – and
don’t get me wrong, I love plenty of those films – but, from time to time, it’s
great to see something inspiring, something full of hope, and something magical
… but without causing me to roll my eyes!
Thankfully, Tomorrowland
– by director Brad Bird (The Incredibles, The Iron Giant, Mission:Impossible – Ghost Protocol) and screenwriter Damon Lindelof (ABC’s Lost),
with an assist from former Entertainment
Weekly Online columnist Jeff Jensen
– has delivered all of those things! The story starts with boy genius inventor
Frank Walker (Thomas Robinson, later
George Clooney) who, in 1965,
invents a jet pack and is given a secret “key,” in the shape of a lapel pin, to
a world in another dimension where all of this world’s inventors, musicians,
scientists, writers, mathematicians, engineers, and other creators are brought
to make a better world. Flashforward to the present time as we are introduced
to Casey Newton (Britt Robertson),
an optimistic, curious teenager who “just knows how things work” and is given the same “key”
by Athena (an impressive Raffey Cassidy),
the same unaged little girl who invited Frank when he was a boy. What sounds
like a regular ragtag buddy road movie soon takes a serious turn as a group of overly-polite
cyborgs are sent after Frank and Casey to kill them.
The audience catches its first glimpse of the amazement of Tomorrowland, as seen through the eyes of protagonist Casey Newton (Britt Robertson). |
I won’t say anymore than that as Disney was right to show
mostly teaser trailers before this film’s release, but what follows is an
action film with plenty of exposition but not too much of either. The film
reminds me of two things. The first is one of my most favorite Disney animated
movies: 2007’s Meet the Robinsons – a
movie about time travel and setting your own course when it comes to your
future. The second is a clip of filmmaker Kevin
Smith speaking a few years ago, talking about the death of his father. It’s
a touching, poignant story he tells and Smith goes on to say how there are too
many people who are “Why? People”: people who always ask why. Smith goes on to
say we should be “Why not? People”: people who are up for trying anything
creative and productive to society. He says there are a lot of cynical people
out there and we should surround ourselves with the “Why not? People.” This
same message exudes from the overall message of Tomorrowland. Athena says, “Dreamers need to stick together.” And
this is the film in which will bring said dreamers out of the woodwork!
There is a nice twist of a villainous plot – no matter how
gratuitous – and the reasoning for the plot involves the reason for the
cynicism pushed so frequently nowadays. Some may find the villain’s overall
motivation a bit preachy – and if you do a Google search, you’ll find those
reviews – but I found it all a clever spin on how hate and destruction begets
hate and destruction … no matter how good the intentions … of anyone. There is
a definite connection between this concept and all of the cable news channels
today – especially when it comes to the “news” stories of which these networks
choose to report on. One scene sees Casey in school, listening to teachers give a barrage of all that is wrong with the world -- or will be wrong -- but Casey brings up the quintessential question that no cable news or even politicians can answer (even though they pretend as if they can): How do we fix it? In fact, the film gives great social commentary by making
brief mentions of real-life issues such as the decreased numbers of NASA manned space
exploration missions, climate change, 9/11, cable news reporting via pushing a political
agenda, and being yourself in an age of conformity.
Athena (Raffey Cassidy) is the guide to Tomorrowland and proves that appearances can be deceiving! |
One of the breakout stars of this film is Raffey Cassidy,
who joins the ranks of her co-star Britt Robertson, as well as Interstellar’s Mackenzie Foy, as one of the great, promising young actresses out
there right now. A lot of the emotional resonance of the story rides on her
character and she pulls it off effortlessly. She, along with Robertson, also
contribute a growing list of brilliant young female characters in today’s films
– something which I only hope continues on to become normal in cinematic
storytelling. Clooney does a good job, bringing on the cool-yet-grumpy tones to
the character, but where he really shines are in the highly emotional scenes –
one being near the end of the film, focusing on the loss of childhood friendship. Cinematographer Claudio Miranda is not quite the household name amongst cinephiles
yet, but with this film – along with The Curious Case of Benjamin Button, Tron: Legacy, Life of Pi, and Oblivion – under his belt, he soon will
be! He plays a major role in taking us from the modern world to this classic
1950s world of sci-fi that most of us born before 1985 all grew up believing. One
of my favorite early moments in the film is when the boy Frank Walker is asked
why he invented the jet pack. He says something to the effect of, “Can’t an
invention just be … fun? … This jet pack will make people believe in a better
world. Believe that a better world is possible.” That is the child-like fun and
simple genius of Tomorrowland.
I wouldn’t say Tomorrowland
is flawless, and some may not agree with my praise of it. I can say there are predictable reveals for a seasoned filmgoer such as myself; however, unlike most films, the predictability here is very much welcomed and nice to see play out. Some may think the
optimism too sappy or pretentious, but the same could be said for classics such
as It’s a Wonderful Life, Mr. Smith Goes to Washington, or any
other feel-good movie. Nevertheless, Tomorrowland
works! It takes me back to being a kid, going to the movies to see films like Back to the Future, Jaws, Star Wars, E.T., The Goonies, and not only feeling the unabashed joy, hope, sadness,
and terror myself … but also seeing it (and hearing it) from the people around
me.
Getting ready for the trip to Tomorrowland! |
In the end, Tomorrowland
is easily one of the best all-around films I’ve seen in a long time … and, so
far, it’s a heavy contender to be my pick for best film of 2015. It’s a fun
ride the entire family will enjoy and also one of the very few films I can’t
wait to see again simply because there is so much to take in and love. It’s
everything a truly good film should be: fun, entertaining, emotional,
thrilling. Also, the hope and inspiration Tomorrowland
instills by the time the end credits roll is what Disney has always been about!
And in an age with mostly realistic, gritty drama, it’s a welcome sight to
behold!
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