Showing posts with label 2014. Show all posts
Showing posts with label 2014. Show all posts

Tuesday, May 6, 2014

8 Great TV Shows You Probably Aren't Watching


Matt here! I did a list like this last year where I highlighted some of the either lesser known, underrated and/or misjudged TV shows which I thought were pretty darn good compared to all of the usual waste on television nowadays. So I'm here again to point you in the direction of some TV shows which have premiered within the last year that you most likely are not watching. These shows -- whether from a different country or premiering on streaming channels like Netflix -- are some of the best around! First, let me warn you, there are NO reality TV shows on this list! That's because reality TV is uncreative and uninspiring. Please note that these shows (some of which are still on the air) are currently available either to watch on Hulu, Netflix, OnDemand/cable, or on DVD, and they are listed in alphabetical order. If you have watched -- or are watching -- any of these shows, good for you. Here are some more recommendations you may like. I should say that whereas my previous July 2013 list mostly had dramas on it (and I stand by those dramas: ArrowThe Booth at the EndEndgameHouse of Cards; MisfitsOnce Upon a TimeOrange is the New BlackSherlock; and Supernatural -- see the list here), this list just so happens to have a majority of comedy on it; it was a good season for new comedies. So, let's get to it:

About a Boy
THE PLOT: Based on Nick Hornby's (High FidelityFever PitchA Long Way Downnovel of the same name, the show centers on one-hit wonder songwriter Will Freeman (David Walton) who never has to work thanks to the royalty checks he receives after writing one famous Christmas song. He lives the life of a somewhat selfish man-child, doing what he wants whenever he wants and dating many women. This all changes when his new next-door neighbors Fiona (Minnie Driver) and Marcus (Benjamin Stockham) move in. What starts off as Will using Marcus to attain women transforms into Will actually liking the 11-year-old and teaching him the "guy stuff" his overprotective mom can't teach.

WHY YOU SHOULD WATCH: Unlike most predictable comedy where one sees Will and Fiona getting romantically involved, Hornby's story does not go that route. The two know they are wrong for each other and have no romantic feelings for one another, but their common link is Marcus, played with a funny-but-endearing awkwardness by Stockham. However, this show is not for kids as sexual content is mentioned throughout the show. I have to admit that I read the book a long time ago and saw the 2002 movie adaptation with Hugh Grant, but didn't care much for either. However, this is a comedy that is endearing and full of heart without overloading on happy or coming off as corny.


Believe
THE PLOT: This urban fantasy drama has too many twists and turns to give a drawn-out plot summary so I'll simply say the show is about a young girl named Bo Adams (Johnny Sequoyah) who has telekinetic powers (think a very young Jean Grey from Marvel Comics' X-Men) -- and maybe more -- who is being hunted by a wealthy businessman (Kyle MacLachlan). Her only hope are a small group of the businessman's former employees (Delroy LindoJamie ChungKatie McClellan) and former death row inmate William Tate (Jake McLaughlin), who help her evade an institution which is hellbent on using her powers for evil and greedy purposes.

WHY YOU SHOULD WATCH: First off, the young actress who portrays Bo, Johnny Sequoyah, has a presence that leaves you constantly cheering for and liking this character! The show is produced by J.J. Abrams (Alias) and was created (and produced) by Alfonso Cuaron (Gravity), giving it some heavy creative cred! The show has a basic helping-someone story-of-the-week, but there is also the overall arc of what Bo can do and why she is so important to the evil corporation headed by MacLachlan. The best thing about this show isn't so much the "window dressing" of the powers, or the action, or the drama; it's the overall display of helping people and the kindness which is born from it. I started watching this show at the same time that ABC's Resurrection premiered, and whereas I lost interest with Resurrection, this has kept me coming back for more!


Deadbeat
THE PLOT: Kevin Pacalioglu (Tyler Labine) is a honest-to-a-fault slob who is going nowhere -- a deadbeat, if you will. But he has one thing going for him that not many do. He can see and talk to ghosts. With hardly no ambition, Kevin takes on cases to help fulfill a dead person's unfinished business so said dead person can pass on "into the light," and soon figures out -- with the help of his drug dealer (Brandon T. Jackson) -- that he can make some money while doing so. The only thing standing in his way is the greedy Camomile White (Cat Deeley), a famous psychic who is simply a fraud. 

WHY YOU SHOULD WATCH: This may sound serious but it is one of the best new comedies to premiere this season. Labine is used to playing lovable ne'er-do-wells and he has mastered it for this show. Plus, the added romantic interest of Labine's Kevin with Camomile's assistant Sue (Lucy DeVito) is a welcome addition. Fans of the Showtime 2003 cult favorite series Dead Like Me will love this show!


Derek
THE PLOT: Ricky Gervais (BBC's The Office) plays Derek, a somewhat “slow” 50-year-old volunteer at a small old-folks’ nursing home. Derek is a kind, forgiving, gentle, easygoing man who sees the good in everyone and lives his life being as positive as possible. Now, this may sound like a goody-goody show, but, with Gervais’ trademark writing on it, the show is realistic, charming and poignant – all without the viewer rolling their eyes in annoyance or disbelief. Derek sees the good in everyone, from his one-time crush, Hannah (Kerry Godliman) – the head caretaker of the home – to the nursing home curmudgeon maintenance man Dougie (Karl Pilkington). 

WHY YOU SHOULD WATCH: I had my doubts upon watching this show, but was taken completely by surprise at how great it is! The characters are all loveable -- even Kev (David Earl) -- and the acting is amazing. I am actually in awe about how convincing Gervais is as Derek. What I enjoy most about this dramedy (drama-comedy) series is that it has more emotionally honest heart than any show I've seen in the past decade! The first season finale is one of the finest episodes of television! The series is shot in the same style as Gervais' Office -- told through interspersed interviews with the camera. The entire first season is already available on Netflix and the entire second season is set to premiere on May 30. 


The Goldbergs
THE PLOT: Adam Goldberg (Sean Giambrone) is a geeky 11-year-old youngest child living in "1980-something" with his family: his father Murray (Jeff Garlin); his overprotective, overbearing (s)mother, Beverly (Wendi McLendon-Covey); his older sister Erica (Hayley Orrantia); his big brother, the desperate know-it-all Barry (Troy Gentile); and his grandfather, Pops (George Segal). The show follows Adam as he tries to brave the pitfalls of life with his loud family and making his way through junior high -- overcoming obstacles such as girls, gym class, and getting through each day with as little humiliation as possible.

WHY YOU SHOULD WATCH: Before the series premiered, I had heard comparisons to the classic late 1980s/early 1990s coming-of-age classic The Wonder Years (which took place from 1968 to 1973). I knew Goldbergs could not come close to that show and thought it awfully pretentious of anyone to compare it to such an all-around great TV show. Nevertheless, I tried it and it didn't grab me. But, at the behest of my wife, I tried it again, and, myself being a child of the 1980s, I found myself loving the 1980s references and all-around feel; I also feel a sympatico with Adam (I was the dorky little movie fanatic too!). The fads. The styles. The music. The pop culture. The movies (watch the episode about the video store and you can definitely relate!). It's all in there. While the show is no Wonder Years, it does have an older Adam narrator, played by pop culture geek icon and comedian Patton Oswalt, and the stories are appropriate for a younger audience -- something all too rare nowadays, even on primetime channels and broadcasts. Also, I love that at the end of the show the creator -- the real Adam Goldberg -- shows actual video footage he took in the 1980s, often showing the real characters shown in the night's episode.



Silicon Valley
THE PLOT: Created by Office Space writer, Beavis and Butt-Head creator Mike Judge, this show focuses on Richard Hendriks (Thomas Middleditch), a computer program developer who, while working on his music-matching website called Pied Piper, creates a lossless compression algorithm that could revolutionize the Internet. Joining him in starting his new company are Erlich Bachman (T.J. Miller), owner of a business "incubator"; Canadian LeVeyan Satanist Bertram Gilfoyle (Martin Starr), Pakistani programmer Dinesh Chugtai (Kumail Nanjiani), and business strategist Donald "Jared" Dunn (Zach Woods).

WHY YOU SHOULD WATCH: Taking the internet start-up craze which has sprout up in the real-life Silicon Valley, California, this show takes the idea of the nerds from CBS's The Big Bang Theory -- only placing them without the censoring limitations of being on a primetime channel. Judge's workplace humor and the offbeat storylines, including a spaced-out billionaire venture capitalist (Christopher Evan Welch), make this show fun and leave you with a feel that this show could go anywhere.



Surviving Jack
THE PLOT: Dr. Jack Dunlevy (Christopher Meloni) is a no-nonsense ex-military man who becomes a full-time parent when his wife (Rachael Harris) decides to go to law school, and he uses his unorthodox methods to raise his teenage kids, Frankie (Connor Buckley) and Rachel (Claudia Lee).

WHY YOU SHOULD WATCH: Whereas The Goldbergs covers the 1980s nostalgia angle, FOX's Surviving Jack covers the 1990s, of which I can also relate since I was in high school in the early 90s -- just like the teenage protagonist in this show. The 90s music really takes me back! And I have to admit that the wonderful Christopher Meloni's character seems like a caricature of my own father. This show is based on the book I Suck at Girls by Justin Halpern, who also wrote and created Sh*t My Dad Says, which gives you an idea of the kind of humor you're in store for.




Trophy Wife
THE PLOT: Kate (Malin Akerman) is a young, attractive party girl who marries professional middle-aged lawyer Pete (Bradley Whitford). Little does she know that when she married him, she would be marrying into his family too -- including his two children, Hillary (Bailee Madison; different from the actress in the pilot trailer below) and Warren (Ryan Lee), their mother (and Pete's first ex-wife), the stuffy Dr. Diane Buckley (Marcia Gay Harden); and Bert (Albert Tsai), and his adopted mother (and Pete's second ex-wife), the artsy, free-spirited Jackie (Michaela Watkins). Together, they all form one of the most unlikely-yet-loving family to be seen.

WHY YOU SHOULD WATCH: ABC had already hit a comedy homerun regarding unlikely families with its mega-successful Modern Family. They decided to make another quirky comedy and -- I have to admit -- it works! Akerman's Kate is not some dumb blonde and genuinely cares for her husband's kids -- and even his exes! Watkins' Jackie is hysterical! And Harden's cold Diane is brilliantly portrayed. The kids are all funny too, but what makes this series so watchable is that it has a lovable zaniness to it that makes you care about these characters, taking everyday family issues and problems and putting its own spin on it. In fact, the show is a lot different now compared to the first couple of episodes shown in the trailer below. If there is any episode you should watch, it is the Christmas episode! I promise you've never seen one done like this -- in Hangover-type fashion (every grown-up is hilarious in it)!

Friday, February 28, 2014

The Culture Cave Crashes the Academy Awards



Jay here.

With the Oscars fast approaching this Sunday, I thought it might be fun to get Matt involved and pick our winners, along with sharing our personal favorites and who would win if we were running the show. Now, Matt and I both think the Academy Awards are pretty much a joke. It is more rare that the film or person who should get the award actually does. The show really has much more to do with popularity, politics and marketing than actually selecting the best in any given category. That is why they have become so easy to predict. You can easily tell, for the most part, who the winner is going to be if you know how the system works.

So, here are the nominees for each category, which one we think will win, which one we think should win, and finally if we had our way who would win, even if they aren't nominated . . . .


Best Visual Effects

Gravity
The Hobbit: The Desolation of Smaug                          
Gravity

Iron Man 3
The Lone Ranger
Star Trek Into Darkness

Jay's Picks
Who Will Win: Gravity
Who Should Win: Gravity

If Jay Ran Things: Gravity would still win. It is a technological marvel that advanced the medium. It deserves to be recognized for its innovations.

Matt's Picks
Who Will Win: Gravity
Who Should Win: Gravity

If Matt Ran Things: The only reason I think Gravity will win is because they had to use a s*@%load of special effects for this film and because it is supposed to be a movie based in reality, I think it will get it.


Best Foreign Film

The Hunt
The Broken Circle Breakdown
The Great Beauty
The Hunt
The Missing Picture
Omar

Jay's Picks
Who Will Win: The Great Beauty
Who Should Win : The Hunt

If Jay Ran Things: The Great Beauty won the Golden Globe, so it is a safe bet to think the Fellini-esque picture will take home the prize. For me, though, The Hunt was so compelling and full of suspense. It had one of the best performances of the year from Mads Mikkelson. It should be the winner, and could pull an upset. Funny, was the Academy too scared to nominate Blue is the Warmest Color? The Cannes winner was shut out . . . .

Matt's Picks
Who Will Win: N/A
Who Should Win: N/A

If Matt Ran Things: N/A



Stories We Tell
Best Documentary Feature
The Act of Killing
Cutie and the Boxer
Dirty Wars
The Square
20 Feet From Stardom

Jay's Picks
Who Will Win: The Act of Killing
Who Should Win: The Act of Killing

If Jay Ran Things: To be fair I've only seen three of the nominated docs (The Act of Killing, Dirty Wars, and The Square) but if I had it my way two others would be nominated here - Stories We Tell and Blackfish - with Stories We Tell taking home the Oscar. Sarah Polley's very personal documentary was ignored for unfathomable reasons. Oh yeah, the Academy always screws up this category!!

Matt's Picks
Who Will Win: N/A                                                                            
Blackfish
Who Should Win: Blackfish

If Matt Ran Things: It didn't even get nominated but I'm putting in here what I think should win. Blackfish, the documentary by Gabriela Cowperthwaite about killer whales and SeaWorld's mistreatment of the animals. This should be mandatory viewing for everyone ... especially before making that "super special trip to SeaWorld!"


Best Original Song
"Happy" from Despicable Me 2 (Pharrell Williams)
"Let it Go" from Frozen (Idina Menzel; Kristen Anderson-Lopez & Robert Lopez)
"The Moon Song" from Her (Karen O)
"Ordinary Love" from Mandela: Long Walk to Freedom (U2)

Jay's Picks
Who Will Win: "Let it Go"
Who Should Win: "Let it Go"

If Jay Ran Things: I think "Let it Go" deserves the win. There really wasn't a good amount of quality songs to choose from this year.

Matt's Picks
Who Will Win: "Let it Go"                                                     
(l. to r.) Kristen Anderson-Lopez, Idina Menzel, Robert Lopez

Who Should Win: "Let it Go"

If Matt Ran Things: No one can beat Menzel's vocals! Plus, the song lends perfectly to the film and what the film's character Elsa is going through. I would have liked to have seen Oscar Isaac and Marcus Mumford (of Mumford & Sons) at least be nominated for "Fare Thee Well (Dink's Song)" from Inside Llewyn Davis, but I guess it wasn't really considered "original" because of its origins from the 18th century English folk ballad "Fare Thee Well."


Best Adapted Screenplay

Short Term 12
Before Midnight
Captain Phillips
Philomena
12 Years a Slave
The Wolf of Wall Street

Jay's Picks
Who Will Win: 12 Years a Slave
Who Should Win: Before Midnight

If Jay Ran Things: Destin Cretton would be nominated and win for his brilliant film, Short Term 12. Because he adapted it from a shorter version of the same movie he made before, I'm betting it would be slotted in this category.


Captain Phillips

Matt's Picks
Who Will Win: 12 Years a Slave Who Should Win: Captain Phillips

If Matt Ran Things: 12 Years was a great film that is long overdue, but Captain Phillips left me in jaw-dropping awe!






Best Original Screenplay

Her
American Hustle
Blue Jasmine
Dallas Buyers Club
Her
Nebraska

Jay's Picks
Who Will Win: American Hustle
Who Should Win: Her

If Jay Ran Things: Spike Jonze would win for his brilliant screenplay for Her, one of my favorite films of the year. He could pull out a win if the Academy decides to reward him here since there's no chance his movie will win Best Picture.

Matt's Picks
Who Will Win: Dallas Buyers Club
Who Should Win: Her

If Matt Ran Things: Is Her the best story I've seen in this category? Of course! Will it win? Most likely, not. Even though the story behind Her is something the media and you and your friends have played with in passing conversation, it's still original. But ... no matter. Unfortunately, I think Dallas Buyers Club will win. Should it win for "Best ORIGINAL Screenplay?" No. Wanna know why? It's not "original" by Academy standards and certainly not by my standards -- and yet it still gets nominated! It's not considered "original" because the movie is 1) based on a true story, 2) the story was written already as a 1992 feature in The Dallas Morning News, and 3) screenwriter Craig Borten had access to the real-life Ron Woodroof's personal journals so most of the material was previously written.


Best Animated Feature

The Wind Rises
The Croods
Despicable Me 2
Ernest & Celestine
Frozen
The Wind Rises

Jay's Picks
Who Will Win: Frozen
Who Should Win: The Wind Rises

If Jay Ran Things: If you read my review of Hayao Miyazaki's final epic then you know I'm a fan. It really doesn't matter, though, because the blockbuster popularity of Disney's Frozen will win out. It is kind of a joke when you consider The Wind Rises, with its traditionally drawn animation, is like watching art come alive on the screen paired with a touching love story. And Frozen, even though I'm sure it has a good message, is going to win because it is more popular and accessible.

Matt's Picks
Who Will Win: Frozen                                     
Frozen

Who Should Win: Frozen

If Matt Ran Things: Yes, Frozen is more than just a love story! And that's why I think it should win. Plus, you can't beat the music and the fact that both kids and adults can watch it and be pleasantly entertained. I have to say I was impressed.



Best Cinematography

Gravity
The Grandmaster
Gravity
Inside Llewyn Davis
Nebraska
Prisoners

Jay's Picks
Who Will Win: Gravity
Who Should Win: Gravity

If Jay Ran Things: The most talented and daring cinematographer working today, Emmanuel Lubezki, should win the Oscar for his jaw-dropping work in Gravity. All the other nominees, as talented as they are, might as well not show up.

Matt's Picks
Prisoners
Who Will Win: Gravity
Who Should Win: Prisoners                                            
If Matt Ran Things: Prisoners should have gotten a lot more nominations, but Gravity will win because it's the "Academy darling" this year.






12 Years a Slave



Best Actress in a Supporting Role

Sally Hawkins - Blue Jasmine
Jennifer Lawrence - American Hustle
Lupita Nyong'o - 12 Years a Slave
Julia Roberts - August: Osage County
June Squibb - Nebraska

Jay's Picks
Who Will Win: Lupita Nyong'o
Who Should Win: Lupita Nyong'o

If Jay Ran Things: Nyong'o is so good in her role as the abused slave girl, Patsey. She manages to upstage everyone in each scene she's in as her character desperately tries to avoid the growing menace of her master, played by Michael Fassbander and his jealous wife, played by Sarah Paulson.

Matt's Picks
Who Will Win: Jennifer Lawrence
Who Should Win: Lupita Nyong'o

If Matt Ran Things: I LOVE Jennifer Lawrence, who has already been given the unfortunate, pretentious title of "America's sweetheart" (by the press; the actual Lawrence, I think, would roll her eyes at the title), but this credit should be given where credit is OBVIOUSLY due! Bravo, Ms. Nyong'o!


12 Years a Slave
Best Actor in a Supporting Role

Barkhad Abdi - Captain Phillips
Bradley Cooper - American Hustle
Michael Fassbender - 12 Years a Slave
Jonah Hill - The Wolf of Wall Street
Jared Leto - Dallas Buyers Club

Jay's Picks
Who Will Win: Jared Leto
Who Should Win: Michael Fassbender

If Jay Ran Things: I find it ridiculous that Jared Leto is going to win this Oscar over a performance like Fassbender's which is really terrifying and unhinged. He's just too detestable and evil for Academy voters to choose him, though.

Matt's Picks
Who Will Win: Jared Leto
Who Should Win: Michael Fassbender

If Matt Ran Things: Sorry, there are rules to winning an Academy award. Take a particular role, and if you do well enough, you're a shoo-in! Hmmmm .... plantation slave owner .... or .... HIV-positive transgender woman? I wonder who will win?


Best Actress in a Leading Role

Amy Adams - American Hustle                                           
Short Term 12

Cate Blanchett - Blue Jasmine
Sandra Bullock - Gravity
Judi Dench - Philomena
Meryl Streep - August: Osage County

Jay's Picks
Who Will Win: Cate Blanchett
Who Should Win: Cannot believe I'd ever say this, but . . . . . Sandra Bullock

If Jay Ran Things: Both Julie Delpy (Before Midnight) and Brie Larson (Short Term 12) would be nominated here with Larson winning. I know it is a stretch but her performance as Grace was my favorite of the year.

Matt's Picks
Who Will Win: Cate Blanchett
Who Should Win: Brie Larson (Short Term 12)

If Matt Ran Things: I'm breaking the rules and picking my own winner because ... it says "If Matt Ran Things!" Unfortunately, either Blanchett or Bullock will win. But they didn't really "wow" me!  As far as I'm concerned, Brie Larson packed more emotional punch in her performance in Short Term 12 than both of those nominees combined. But it's not just that. Larson was relatable and yet not, taking the viewer into her world they think they know ... until her little world turns tables on her and the audience. Great film!


The Wolf of Wall Street
Best Actor in a Leading Role

Christian Bale - American Hustle
Bruce Dern - Nebraska
Leonardo DiCaprio - The Wolf of Wall Street
Chweitel Ejiofor - 12 Years a Slave
Matthew McConaughey - Dallas Buyers Club

Jay's Picks
Who Will Win: Matthew McConaughey
Who Should Win: Leonardo DiCaprio

If Jay Ran Things: Leonardo Dicaprio gives the best performance of his career as Jordan Belfort, the reprehensible, greedy, scoundrel of Martin Scorsese's epic of excess. McConaughey's performance was more "feel-good" so he will win over the Academy who loves an afflicted character who fights the odds. Also, I would have nominated Mads Mikkelson as well for his role in The Hunt. But, alas, there was no chance . . . .

Matt's Picks
Who Will Win: Matthew McConaughey
Who Should Win: Hugh Jackman (Prisoners)                              
Prisoners

If Matt Ran Things: Again, breaking the rules. It will be no surprise when McConaughey's name is called. And I would pick DiCaprio for "who should win" ... if he were nominated for the right movie (sorry, but his performance in The Great Gatsby far outweighed his role in Wolf when it comes to emotional depth and substance)! Hugh Jackman should have been nominated ... especially instead of Bruce Dern -- but, Dern gets what I call, the "sympathy" nomination/win (Dern's performance was not impressive nor mesmerizing). Jackman's role as a father blinded by vengeance far outweighs most of those listed here -- with the exception of Chweitel Ejiofor (if I had to pick from the normal nominee list, it would be Ejiofor).



Alfonso Cuaron
Best Director

David O. Russell - American Hustle
Alfonso Cuaron - Gravity
Alexander Payne - Nebraska
Steve McQueen - 12 Years a Slave
Martin Scorsese - The Wolf of Wall Street

Jay's Picks
Who Will Win: Alfonso Cuaron
Who Should Win: Alfonso Cuaron

If Jay Ran Things: Look, I know some of you out there don't get it, but Cuaron's work on Gravity is the work of a master filmmaker at the top of his game. I am disappointed Spike Jonze was not nominated here for Her. I would have kicked Payne out for Jonze. Also, Richard Linklater might have found his way in there for Before Midnight.

Matt's Picks
Who Will Win: Alfonso Cuaron                                          
Steve McQueen



Who Should Win: Steve McQueen

If Matt Ran Things: Gravity was very impressive, but in terms of technicalities, there's a lot more to directing multiple sets, actors, extras, editing and so on ... as opposed to directing one or two people, editing, and leaving A LOT of special effects to a separate crew. I know Cuaron still has oversight on the effects, but McQueen's movie was more epic with many more actors and motivations to control, so I think he nudges ahead of Cuaron.





Best Picture

American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
12 Years a Slave
The Wolf of Wall Street

Jay's Picks
Who Will Win: It's so close but . . . . . 12 Years a Slave
Who Should Win:  Her

If Jay Ran Things: For me, there are three deserving movies here - Her, Gravity and The Wolf of Wall Street.  I would have nominated Before Midnight and Short Term 12 over Captain Phillips and Philomena. It's tough for me to choose, but I think Gravity is the most accomplished film of the year, while Her is my personal favorite. So, the Oscar goes to  . . . . . Spike Jonze's Her.

Matt's Picks
Who Will Win: Dallas Buyers Club
Who Should Win: Her

If Matt Ran Things: There's not much to say about a film that challenges the concepts of love, human relationships and how we live our lives. Both films achieve this, but I simply felt like Her was more unique, whereas Dallas Buyers Club is simply a mix of Blow and Philadelphia. I'd like to see Her win but wouldn't be hurt if 12 Years wins. I think Gravity has a good chance of winning just because it will be "the big winner" of the night in most categories ... even though I don't agree with most of the wins it probably will take and the underrated All is Lost told almost the same type of story as Gravity but without the gimmicks; All is Lost is like the Ernest Hemingway version of Gravity.